CMA7 4 STRING GROUPS NO OPEN STRINGS E-D-G-B [E] [A] [D] [G] [B] [E] * * * *b C * *# * E * *# *# G * * * * * *# *# *# B *# *# * * G C E * * * *b * * * B * * * *# * C * * * G * *# *# B E *# *# * * C * * * *# *# *# *# *# *# E * * G B * D-G-B-E [E] [A] [D] [G] [B] [E] * * * *b C * *# * E * *# *# * * * * * G *# *# *# B *# *# * * G C E * * * *b * * * * * * * *# B * * * * G C *# *# B E *# *# * * C * * * *# *# *# *# *# *# * * * G B E A-D-G-B [E] [A] [D] [G] [B] [E] * * * *b * * *# * * * *# *# * C * * * * *# *# *# B *# *# * * G C E * * * *b * * * * E * * *# * * * * * G * *# *# B E *# *# * G C * * * *# *# *# *# *# *# * * * * B * E-A-D-G [E] [A] [D] [G] [B] [E] * * * *b * * *# * E * *# *# G C * * * * *# *# *# B *# *# * * G C * * * * *b * * * B E * * *# * C * * * * * *# *# B E *# *# * G * * * * *# *# *# *# *# *# * * * * * * A-G-B-E [E] [A] [D] [G] [B] [E] * * * *b * * *# * * * *# *# * C * * * G *# *# *# B *# *# * * * C E * * * *b * * * * E * * *# B * * * * G C *# *# * E *# *# * G * * * * *# *# *# *# *# *# * * * * B * It's worth noticing that from table 1 to 2 all that has happened is we have taken the note on the low E and put it on the high one. Also worth noticing that as you go up each string the chord is spelled as well. I hope the fingerings are self explanatory. I leave it to the ambitious to extend these forms past the the twelfth fret.